Cruise line talent agency seeking musicians

By David J. Hahn

I just wanted to make CCSM and MW readers aware of this post I found on NYC’s Craigslist from Landau Music (a talent agency for cruise musicians).…

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Musician Profile: Mark Zubek on the Canada Council for the Arts

By David J. Hahn

Mark Zubek is a successful musician, producer and composer originally from Toronto. He has worked with Jack DeJohnette, Dave Holland, Kurt Rosenwinkel, Wynton Marsalis and written jingles for companies like Coca-Cola, Dunkin’ Donuts and The Discovery Channel. Mark studied at the Berklee College of Music and lived as a working musician in New York City for 10 years before returning to Canada. In 1998 Mark co-produced the Grammy nominated jazz group, Red Time.

Over the years, Mark has been granted nearly $50,000 (all figures in U.S. currency) from the Canada Council for the Arts to continue his work as a musician. The Canada Council is an agency of the Canadian government that supports the living expenses of Canadian artists through individual grants.

We asked Mark if he would tell us a little more about his experience with the Canada Council.

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A Guide to Being a Successful Sideman

By Gary Melvin

There are many levels of sideman work, from playing in a small-town cover band to backing up Sting, and lots in between. But there are some general guidelines that apply to just about any sideman gig you can get, and hopefully keep.

1.) Become a Stylist

The best way to ensure that you can get work as a sideman is to be competent in several musical styles or genres. The short list is: rock, pop, jazz, blues, R&B. You can also choose to build on that list with some specialties, like country, classical or funk.

Chances are, you’ll end up working in only a couple main genres with an occasional gig in another, but you want to start out with this mantra in mind: my specialty is not having a specialty. This leaves you open for many types of gigs, and once you get going you can steer yourself towards the genres you prefer. Keep in mind, however, that having a long list of styles on your resume doesn’t amount to anything on the bandstand if you aren’t competent in them. It’s better to play 3 styles well than to claim to play 7 styles but play them poorly.

This leads us to our next topic…

This Week’s Musician Jobs – Feb 16, 2009

By David J. Hahn

The Surflight Theater in New Jersey is seeking an Assistant Music Director and 2nd Keyboardist for it’s summer season. The AMD also serves as the music director of the…

NEA funding lives – get on the phone!

By David J. Hahn

A few days ago it seemed the $50 million that Barack Obama set aside for the National Endowment for the Arts in the U.S. stimulus package had been stripped from…

How To Influence U.S. Arts Policy

By David J. Hahn

We often write about musician-related politics and legislation here on MW, but one thing we haven’t done is tell you how you can get involved with influencing arts policy in the United States.

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Some Thoughts on the Proposed Sales Tax on Broadway Tickets

By Ethan Fein

New York Governor David Paterson recently announced a proposal to add a 4% sales tax to Broadway tickets New York City. Broadway officials quickly denounced the idea, saying that the tax would put undue strain on an already struggling industry and inevitably lead to more layoffs and closings.

We have a quest blog today from Ethan Fein, an executive board member of the Local 802, American Federation of Musicians, who presents the issues from a musician’s perspective…

New York State is proposing a sales tax which would be applied to, among other things, tickets for Broadway shows. We at Local 802 and the musicians who work on Broadway think this is a very bad idea.

NEA funding stripped from the economic stimulus package

By David J. Hahn

UPDATE thanks to Chris Brummond – not the $8.3 billion requested, but the $50 million is apparently still on the table: link

I was really…

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Advice (My Two Cents) from a Freelance Singer

By Erika Lloyd

OK, so it’s more like ten or fifteen cents, or that many ways of making cents, or making sense, as a freelance singer.

Hi. My name is Erika Lloyd and I am a freelance singer living in New York City. To achieve a tad of credibility with you, let me quickly tell you a bit about myself: I have a Bachelors of Music in Voice Performance from Indiana University. I currently work in music as; the lead singer/writer/manager of the indie rock band, Little Grey Girlfriend, a paid section leader of a church choir, a member of the traveling Renaissance quartet with lute, The Good Pennyworths, a soprano in the choral ensemble, Choral Chameleon, a choral ringer (sub), an outside soloist, a wedding singer, and sell various recordings mostly through digital distribution. I also work outside of music for; catering companies, tradeshows, parents who need a babysitter, and people happy to commission my paintings, drawings, and logo work. It’s like spinning plates my friend, spinning plates and juggling at the same time, just a thrill, a real hoot!

Obviously, one of my biggest pieces of advice is to be as versatile as possible, and to not let your ultimate goals get in the way of making a living while on your journey. In other words, don’t shoot yourself in the foot by turning down paying or fulfilling work in music, because it wasn’t your main style or passion. When you get offered a job, singing the national anthem at a kids local swim meet, just know this- there’s no room in that parking lot for your high horse! Ho oh! No she didn’t!

Buuuuttttt I bet you’ve heard that advice before, so I’ll try to give you some more unique and specific tips.

Billions for Wall Street Bonuses, Budget Cuts for the Arts

By David J. Hahn

The New York Times recently reported that $18.4 billion was paid in bonuses to employees of financial companies in New York in 2008, despite a loss of 38% in…

Best and Worst Day Jobs for Musicians

By David J. Hahn

Bad news about the economy streams out of the media like water from a bucket these days. As I talked about in yesterday’s article, it’s clear from the closings…

How Is the Economy Affecting You?

By David J. Hahn

There’s no way around it. We have a problem.
Arts organizations and venues across the globe are showing signs of a deep financial slide. According to recent reports, the worldwide…

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The Art (or Act) of Doing

By Cameron Mizell

The purpose of this website is to provide sound, pragmatic advice about making a living as a musician, written by people that have hands on experience. My experience has been as a freelance musician playing my own music, booking my own gigs, producing my own albums, and anything else that falls under the realm of Do It Yourself. I’ve also done my share of gigs as a sideman, accompanist, or ensemble musician. I also have a few years experience on the business side of the industry. What I haven’t done myself, I’ve learned about by reading other musicians’ contributions to this site and talking with friends of various musical backgrounds. I’m still trying to figure this out a little more each day.

My goal is to somehow magically sum up the secret formula on how to make it. I’m looking for the musician’s EASY button. What are the steps to being a successful musician? How many steps are there? Based on some of the things I’ve read in other blogs, it seems like nobody can agree on the answer, and I finally figured out why–the answer will kill your blog. The answer is only one sentence long. How do you keep writing a blog after you’ve revealed the secret?