<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Preparing for the Recording Studio</title>
	<atom:link href="http://www.musicianwages.com/the-working-musician/preparing-for-the-recording-studio/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.musicianwages.com/the-working-musician/preparing-for-the-recording-studio/</link>
	<description>The Community for Working Musicians</description>
	<lastBuildDate>Sat, 11 Feb 2012 15:18:11 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
	<item>
		<title>By: okorie uche</title>
		<link>http://www.musicianwages.com/the-working-musician/preparing-for-the-recording-studio/comment-page-1/#comment-8155</link>
		<dc:creator>okorie uche</dc:creator>
		<pubDate>Wed, 19 Jan 2011 14:29:04 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicianwages.com/?p=3278#comment-8155</guid>
		<description>how do I assemble good musical instrumentalists for my studio work and live performances</description>
		<content:encoded><![CDATA[<p>how do I assemble good musical instrumentalists for my studio work and live performances</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: recording studio Illinois</title>
		<link>http://www.musicianwages.com/the-working-musician/preparing-for-the-recording-studio/comment-page-1/#comment-8126</link>
		<dc:creator>recording studio Illinois</dc:creator>
		<pubDate>Wed, 12 Jan 2011 08:00:51 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicianwages.com/?p=3278#comment-8126</guid>
		<description>When you know that you have the talent and you have what it takes to try your luck in the music world, there is no harm in trying. Make a demo recording and send it to friends and music companies that might help you get established. It takes courage and determination to create great music with the right equipment and recording studio, but it also requires patience to get to where you want to go in your career as a musician, producer or sound engineer.</description>
		<content:encoded><![CDATA[<p>When you know that you have the talent and you have what it takes to try your luck in the music world, there is no harm in trying. Make a demo recording and send it to friends and music companies that might help you get established. It takes courage and determination to create great music with the right equipment and recording studio, but it also requires patience to get to where you want to go in your career as a musician, producer or sound engineer.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: majorlabelpromo.com &#187; Creating a Budget for Your New Album &#8211; By Cameron Mizell Brooklyn, NY</title>
		<link>http://www.musicianwages.com/the-working-musician/preparing-for-the-recording-studio/comment-page-1/#comment-3926</link>
		<dc:creator>majorlabelpromo.com &#187; Creating a Budget for Your New Album &#8211; By Cameron Mizell Brooklyn, NY</dc:creator>
		<pubDate>Sat, 24 Jul 2010 14:14:18 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicianwages.com/?p=3278#comment-3926</guid>
		<description>[...] “Preparing for the Recording Studio” has a more in depth discussion about the roles of producers and engineers, and can help you understand what to look for depending on your projects needs. As the title suggests, I also give a few more tips to help you get the most out of your studio time. [...]</description>
		<content:encoded><![CDATA[<p>[...] “Preparing for the Recording Studio” has a more in depth discussion about the roles of producers and engineers, and can help you understand what to look for depending on your projects needs. As the title suggests, I also give a few more tips to help you get the most out of your studio time. [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Gregory Perkins</title>
		<link>http://www.musicianwages.com/the-working-musician/preparing-for-the-recording-studio/comment-page-1/#comment-3923</link>
		<dc:creator>Gregory Perkins</dc:creator>
		<pubDate>Sat, 24 Jul 2010 13:44:53 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicianwages.com/?p=3278#comment-3923</guid>
		<description>myspace.com/dregnocandbenkproductions

I am an independent producer and studio owner. This information is very accurate. The whole recording process takes real planning and time. I have seen so many artists come in so under prepared. You will find yourself planning during the time you need to be recording. You can practice at home but when you are in the studio it&#039;s time to do your thing. I&#039;ve seen artists come in and don&#039;t even have the hook/chorus or the verses and or bridges written. On many occasions, I have seen artists come in and try to free style their verses and hooks and they end up with a hot mess and not a hot song. No one fully come in a free style. It takes planning such as coming up with a catchy hook then keep the same concept in your verses. A song tell a story. But that will be another topic. Nething in life is free! In order for you to breath you have to stop eating or else you will choke.</description>
		<content:encoded><![CDATA[<p>myspace.com/dregnocandbenkproductions</p>
<p>I am an independent producer and studio owner. This information is very accurate. The whole recording process takes real planning and time. I have seen so many artists come in so under prepared. You will find yourself planning during the time you need to be recording. You can practice at home but when you are in the studio it&#8217;s time to do your thing. I&#8217;ve seen artists come in and don&#8217;t even have the hook/chorus or the verses and or bridges written. On many occasions, I have seen artists come in and try to free style their verses and hooks and they end up with a hot mess and not a hot song. No one fully come in a free style. It takes planning such as coming up with a catchy hook then keep the same concept in your verses. A song tell a story. But that will be another topic. Nething in life is free! In order for you to breath you have to stop eating or else you will choke.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Creating a Budget for your New Album</title>
		<link>http://www.musicianwages.com/the-working-musician/preparing-for-the-recording-studio/comment-page-1/#comment-3898</link>
		<dc:creator>Creating a Budget for your New Album</dc:creator>
		<pubDate>Tue, 20 Jul 2010 05:05:05 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicianwages.com/?p=3278#comment-3898</guid>
		<description>[...] &#8220;Preparing for the Recording Studio&#8221; has a more in depth discussion about the roles of producers and engineers, and can help you understand what to look for depending on your projects needs. As the title suggests, I also give a few more tips to help you get the most out of your studio time. [...]</description>
		<content:encoded><![CDATA[<p>[...] &#8220;Preparing for the Recording Studio&#8221; has a more in depth discussion about the roles of producers and engineers, and can help you understand what to look for depending on your projects needs. As the title suggests, I also give a few more tips to help you get the most out of your studio time. [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Cameron Mizell</title>
		<link>http://www.musicianwages.com/the-working-musician/preparing-for-the-recording-studio/comment-page-1/#comment-3801</link>
		<dc:creator>Cameron Mizell</dc:creator>
		<pubDate>Sun, 27 Jun 2010 15:57:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicianwages.com/?p=3278#comment-3801</guid>
		<description>Hi Sonny, thanks for the link. I actually recently downloaded The Little Unsaid and really enjoy the music.

You&#039;re absolutely right on all counts, and the issue on being conservative with effects is, as I said, when in doubt. If you&#039;re experienced with making different sounds and know how to harness the sometimes unpredictable results of hitting switches and turning knobs mid-performance, than by all means do it! But don&#039;t be tempted by all the extra toys laying around the studio if you&#039;re on the fence about whether or not it&#039;ll sound cool the next day. You can always add it later.</description>
		<content:encoded><![CDATA[<p>Hi Sonny, thanks for the link. I actually recently downloaded The Little Unsaid and really enjoy the music.</p>
<p>You&#8217;re absolutely right on all counts, and the issue on being conservative with effects is, as I said, when in doubt. If you&#8217;re experienced with making different sounds and know how to harness the sometimes unpredictable results of hitting switches and turning knobs mid-performance, than by all means do it! But don&#8217;t be tempted by all the extra toys laying around the studio if you&#8217;re on the fence about whether or not it&#8217;ll sound cool the next day. You can always add it later.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: D.I.Y. Musician &#38; Working with a Producer - Musician Wages.com</title>
		<link>http://www.musicianwages.com/the-working-musician/preparing-for-the-recording-studio/comment-page-1/#comment-3563</link>
		<dc:creator>D.I.Y. Musician &#38; Working with a Producer - Musician Wages.com</dc:creator>
		<pubDate>Mon, 24 May 2010 04:02:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicianwages.com/?p=3278#comment-3563</guid>
		<description>[...] Note: For related reading, Cameron Mizell briefly addressed working with a producer and more in his article “Preparing For the Recording Studio”. [...]</description>
		<content:encoded><![CDATA[<p>[...] Note: For related reading, Cameron Mizell briefly addressed working with a producer and more in his article “Preparing For the Recording Studio”. [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: sonny</title>
		<link>http://www.musicianwages.com/the-working-musician/preparing-for-the-recording-studio/comment-page-1/#comment-2952</link>
		<dc:creator>sonny</dc:creator>
		<pubDate>Thu, 03 Dec 2009 23:49:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicianwages.com/?p=3278#comment-2952</guid>
		<description>Hi Cameron,

Nice blog and some very good information. As a producer/engineer/musician myself I see a lot of people doing the complete opposite to what you&#039;re saying and taking too much on themselves. I never producer/engineer and perform at the same time. very important to keep those 2 roles separate I think.... and we shouldn&#039;t underestimate the role of the producer (not that producers should get a big head though) :-).

Personally I&#039;d say rather than thinking of which studio to use it&#039;s more like what space to use. Leave the equipment choice to the engineer. I&#039;ve just done a record in a bungalow and it turned out better than when we started doing it in the studio. Sound, feel, quality, enjoyment. Everything.

Also I&#039;d say don&#039;t be as cautious as you&#039;re suggesting. If you&#039;re used to playing with delays and reverbs and FX and that&#039;s how you want it to sound, DO IT. Put it on. make a decision. You&#039;re going to have to at some point. Some of the best sounds I&#039;ve got are form things I couldn&#039;t change, like too much spill on a mic or a mics fallen over, or whatever. Take a risk, you&#039;ll soon find that you gett good at making decisions on the spot.

I&#039;ve got a couple of Blogs I&#039;ve written myself about Mastering and Studio stuff at http://www.sonnyengineer.com. Blessay 03 in the pipeline on Studio Professionalism.

Sonny.</description>
		<content:encoded><![CDATA[<p>Hi Cameron,</p>
<p>Nice blog and some very good information. As a producer/engineer/musician myself I see a lot of people doing the complete opposite to what you&#8217;re saying and taking too much on themselves. I never producer/engineer and perform at the same time. very important to keep those 2 roles separate I think&#8230;. and we shouldn&#8217;t underestimate the role of the producer (not that producers should get a big head though) :-).</p>
<p>Personally I&#8217;d say rather than thinking of which studio to use it&#8217;s more like what space to use. Leave the equipment choice to the engineer. I&#8217;ve just done a record in a bungalow and it turned out better than when we started doing it in the studio. Sound, feel, quality, enjoyment. Everything.</p>
<p>Also I&#8217;d say don&#8217;t be as cautious as you&#8217;re suggesting. If you&#8217;re used to playing with delays and reverbs and FX and that&#8217;s how you want it to sound, DO IT. Put it on. make a decision. You&#8217;re going to have to at some point. Some of the best sounds I&#8217;ve got are form things I couldn&#8217;t change, like too much spill on a mic or a mics fallen over, or whatever. Take a risk, you&#8217;ll soon find that you gett good at making decisions on the spot.</p>
<p>I&#8217;ve got a couple of Blogs I&#8217;ve written myself about Mastering and Studio stuff at <a href="http://www.sonnyengineer.com" rel="nofollow">http://www.sonnyengineer.com</a>. Blessay 03 in the pipeline on Studio Professionalism.</p>
<p>Sonny.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: M.R.</title>
		<link>http://www.musicianwages.com/the-working-musician/preparing-for-the-recording-studio/comment-page-1/#comment-2900</link>
		<dc:creator>M.R.</dc:creator>
		<pubDate>Mon, 16 Nov 2009 17:11:02 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicianwages.com/?p=3278#comment-2900</guid>
		<description>I&#039;ve only done recording for the purposes of pre-screening for music conservatory auditions, but I still found the process to be very stressful. Next fall I&#039;m going to be doing pre-screening tapes for graduate school auditions, and I really enjoying reading this post because it gave me a ton of great advice for recording! Thanks!</description>
		<content:encoded><![CDATA[<p>I&#8217;ve only done recording for the purposes of pre-screening for music conservatory auditions, but I still found the process to be very stressful. Next fall I&#8217;m going to be doing pre-screening tapes for graduate school auditions, and I really enjoying reading this post because it gave me a ton of great advice for recording! Thanks!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: New Article: Preparing for the Recording Studio &#124; Cameron Mizell</title>
		<link>http://www.musicianwages.com/the-working-musician/preparing-for-the-recording-studio/comment-page-1/#comment-2785</link>
		<dc:creator>New Article: Preparing for the Recording Studio &#124; Cameron Mizell</dc:creator>
		<pubDate>Mon, 26 Oct 2009 13:37:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.musicianwages.com/?p=3278#comment-2785</guid>
		<description>[...] Preparing for the Recording Studio &#8211; MusicianWages.com [...]</description>
		<content:encoded><![CDATA[<p>[...] Preparing for the Recording Studio &#8211; MusicianWages.com [...]</p>
]]></content:encoded>
	</item>
</channel>
</rss>

